Flower portraits

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After investing on some high-quality new lenses last year, I didn’t for a long time touch my old MF 50mm F/1.7 lens. There was just something seductively easy about the smooth autofocus and wide angle of the Tamron 17-50mm F/2.8, and also about the zooming power of the 55-300mm F/5.6. But few weeks ago the trusty old fifty came out of the drawer, and has been in use a lot. In fact, I don’t know why I put it aside for so long – there’s a clean, smooth finesse to it that nothing can replicate, its sharpness as soft as it is brilliant. It does bokeh like no one’s business. The shallowness of its field of depth is magical – just look how this flower floats in the air, disconnected from its background (of shiny rose leaves) and even from its own stem, and how only the petals in the front are in focus, the rest of the flower simply rendering into shape and colour.

Cow-parsley meadow

All photos were taken with my old 50mm MF lens, with all but the bottom one with f/2.0. I love the dreamy textures the extremely shallow field of depth creates (demonstrated beautifully by the photo third from the bottom). Being manual focus, it’s somewhat stiff to use, and occasionally it’s difficult to see how well in focus the pictures are, but the end result almost invariably is worth the effort.