But once I went through the lanes, over the sharp
Tilt of the little bridges; past the forge,
And heard the clang of anvil and of iron,
And saw the founting sparks in the dusky forge,
And men outside with horses, gossiping.
So I came through that April England, moist
And green in its lush fields between the willows,
Foaming with cherry in the woods, and pale
With clouds of lady’s-smock along the hedge,
Until I came to a gate and left the road
For the gentle fields that enticed me, by the farms,
Wandering through the embroidered fields, each one
So like its fellow; wandered through the gaps,
Past the mild cattle knee-deep in the brooks,
And wandered drowsing as the meadows drowsed
Under the pale wide heaven and slow clouds.
And then I came to a field where the springing grass
Was dulled by the hanging cups of fritillaries,
Sullen and foreign-looking, the snaky flower,
Scarfed in dull purple, like Egyptian girls
Camping among the furze, staining the waste
With foreign colour, sulky-dark and quaint,
Dangerous too, as a girl might sidle up,
An Egyptian girl, with an ancient snaring spell,
Throwing a net, soft round the limbs and heart,
Captivity soft and abhorrent, a close-meshed net,
—See the square web on the murrey flesh of the flower—
Holding her captive close with her bare brown arms.
Close to her little breast beneath the silk,
A gipsy Judith, witch of a ragged tent,
And I shrank from the English field of fritillaries
Before it should be too late, before I forgot
The cherry white in the woods, and the curdled clouds,
And the lapwings crying free above the plough.
The spring was late that year, I well remember.
The year when first I came on the field of fritillaries;
So late, the cottars meeting in the lanes
Would stop to marvel mildly, with that old
Unplumbed capacity for wonderment
At Nature’s whim. The calendar told spring,
But spring was heedless: April into May
Passed, and the trees still wore their livery
Of lean black winter’s servants; very strange
Most lovely Easter played three days at summer,
A heavy summer over winter’s fields,
Three days, and then was vanished, like a queen
Dropping the lifted flap of her pavilion.
Vita Sackville-West – “Fritillaries” from The Land
I haven’t the foggiest about what was supposed to be in this picture – the lone flower in the middle was probably not it. Why do I like this nonetheless? The texture of the background (or possibly foreground). Those swirling out-of-focus branches breaking the yellow of the background into something almost resembling a stained glass window.
I love these budding leaves, sweet, sticky and full of promise. Soon, soon! the summer will be here.