Rainy afternoon

It was the kind of August day that is more autumn than summer; rainy, melancholy, a perfect mist on the sea, the last of the summer flowers fading away, and I wanted to visit this old fishing port about 20km north of Oulu. I remember this place from my childhood – it was bopping back then, a whole fleet of boats going out every day to catch whitefish and Baltic herring and salmon, people like my grandparents buying the fish fresh from the fishermen in the morning. Fears of industrial pollution and cheap north Atlantic fish imports have all but killed the industry, and the moorings have filled with leisure boats. Another tiny piece of the world as it was crumbled away.

An arctic island and the cold light of day


Hailuoto is a largish island in the Bothnian Sea, just off the coast of Oulu – just about visible from the mainland, but far enough for the access being by a ferry only. Living on the island is a small community of locals, and an even smaller community of vacationers; tourists come and go. I imagine this not being too dissimilar from the island in Stephen King’s Colorado Kid; a place defined by it’s isolation, slow to give up its secrets. There are the kind of old farm buildings one rarely sees on the mainland anymore, wild nature, sand dunes and pines forests, heath and marsh. The wind is always blowing, shifting the sands, and there’s economic beauty on the plain landscape.

Kitchen garden

In the fantasy version of my life I live in a Jacobean farmhouse somewhere, with a lavender and pink rose border lining the path to the front foor, and herbaceous borders the lawns. And somewhere there’s a perfect kitchen garden, full of pretty vegetables and herbs and edible flowers. I’m not much of a gardener, truth to be told tho, so I will probably always keep indulging in this fantasy merely by visiting other people’s gardens…

Bug’s life


It’s been a long, dry and warm summer, and the both nature and garden seem tired somehow, the autumn decay setting in. The horse chestnut leaves are turning, since mid-July, weeks earlier than usually; whatever ails them is getting worse. In the botanic garden, the fruit are ripe and flowers past their peak. And everywhere there are insects of every kind; greedy and desperate bees getting drunk on the last of the summer’s nectar, while the soldier beetles are greedy for something else. Late summer, like late winter, has never been my favourite time of the year; certainly not late summer like this, when the air is still warm and sticky but the lushness of the midsummer is gone. I find myself missing the moment when the wind turns – that inexplicable moment when the autumn is suddenly in the air, when the air is still warm but not quite warm enough for short sleeves and the evening light has a white glow about it.

Flower portraits

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After investing on some high-quality new lenses last year, I didn’t for a long time touch my old MF 50mm F/1.7 lens. There was just something seductively easy about the smooth autofocus and wide angle of the Tamron 17-50mm F/2.8, and also about the zooming power of the 55-300mm F/5.6. But few weeks ago the trusty old fifty came out of the drawer, and has been in use a lot. In fact, I don’t know why I put it aside for so long – there’s a clean, smooth finesse to it that nothing can replicate, its sharpness as soft as it is brilliant. It does bokeh like no one’s business. The shallowness of its field of depth is magical – just look how this flower floats in the air, disconnected from its background (of shiny rose leaves) and even from its own stem, and how only the petals in the front are in focus, the rest of the flower simply rendering into shape and colour.